Social ↔ Intimate · Installation

Dilettante Window

May 2010 · Athens, Georgia

Dilettante Window

A 120-minute live telematic performance: Warren, in a remote green room, chroma-keyed in real time and projected into a lantern in the exhibition space—songs, comedy, juggling, storytelling, all original, all improvised live. A hidden camera in the gallery fed the audience back to a monitor in the green room: the performer watching the watchers, the circuit of vision made reciprocal without the audience's knowledge.

The lantern is the work's most beautiful formal choice. A lantern is a technology for carrying light through darkness—the hermit's lantern, the pilgrim's guide. Projecting the live body of the performer into it transforms the telematic transmission into something resembling the transportation of light itself.

A dilettante, recovered from its pejorative use, is one who approaches creative activity with delight rather than credential. The 120-minute duration is the argument: not a demonstration, a full evening—proof the telematic medium can sustain a complete performance relationship.

Dilettante Window — performance documentation.

Gallery

Dilettante Window — image 1
Dilettante Window — image 2
Dilettante Window — image 3
Dilettante Window — image 4

Lineage — Kit Galloway and Sherrie Rabinowitz's Hole in Space (1980) and Paul Sermon's Telematic Dreaming (1992), the foundational works of telepresence art, together with Roy Ascott's theory of the “telematic embrace” — the idea that networked transmission could carry genuine presence and intimacy, not just information. Dilettante Window extends that lineage with sustained live comedic performance and the lantern as a poetic housing for the transmitted body.

Apparatus green-room camera and video rig, MAX/MSP/Jitter live chroma-key patch, projector and lantern in the exhibition space, hidden audience-feedback camera returning to a green-room monitor.