A live venture capital pitch performed as conceptual art: Wi-Fi for cats, pitched at a startup competition inside a building filled with the material evidence of previous generations' absurd-then-realized ideas. An investor handed Warren cash before he left the room—completing the artwork. The capital transfer is the climax and the critical argument simultaneously: the art market and the venture market operate by the same logic, and the performance made the two indistinguishable in a single transaction.
From the artist's own account, archived on the original site: “There is a space between possibility and absurdity that is a lovely place to play, and because possibilities become exponential, ideas build themselves and I am merely the channel from the way it will be.” That sentence underwrites every large-scale project that followed.